Score No. 14 was created spontaneously, as we entered a completely empty gallery space where the festival was taking place. Initially, we had no premeditated idea, only trust in our creativity. First, we let ourselves feel the four white walls, the space was passable. On one of the walls, there were nails in three straight rows – clearly, something was hanging on them before. As we started with the first task (phase-1), it further seemed intuitively logical to start connecting those nails with a thread. By repeating the sessions for several times, in different intervals and lengths, each repetition brought a new insight into our inner journey. Since the rising web of threads was getting ever denser, many visitors who passed through our room got caught in it, either leaving the torn threads hanging down or trying to tie them back: in each case continuously rearranging the composition. In the following days, the score was continuously generating further questions and phases, material (text, movement, sound), formation in space, and finally accumulated into a collective performative-sound-spatial installation. In the final stage the threads were also equipped with pick-up microphones: the entire space transformed into an instrument.

The installation was neither a premeditated idea of ours, nor was it a determined art format. It is a result of our trust in play. Everything is there already.