{"id":6694,"date":"2025-03-16T12:17:49","date_gmt":"2025-03-16T12:17:49","guid":{"rendered":"https:\/\/aniradar.com\/?page_id=6694"},"modified":"2025-03-17T16:18:19","modified_gmt":"2025-03-17T16:18:19","slug":"performing-projects-performances-instalations-a-catalogue-of-comfort-intervention-5","status":"publish","type":"page","link":"https:\/\/aniradar.com\/index.php\/performing-projects-performances-instalations-a-catalogue-of-comfort-intervention-5\/","title":{"rendered":"Performing-INSTALATIONS-KATALOG-Intevencija-5"},"content":{"rendered":"\t\t
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Intervention 5:<\/p>

KOV\u010cING<\/p>

COACHING<\/p>

COUCHING<\/p>

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The origins of the film date back to the late 19th<\/sup> Century. It evolved when Thomas Alva Edison combined several individual photographs on a perforated film<\/p>

tape. The basis of film is photography: film is a sequence of many images, sequenced one after the other. Film is the art of movement. It allows us to<\/p>

understand the development of events that are captured in photographs.<\/p>

\u00a0<\/p>

In the 21st C<\/sup>entury, we have transformed life from a series of constantly changing moments into a static image. We have determined which moment is<\/p>

the “right” one \u2013 the only one that suits us. On the editing track, we have extended the duration of that one prefered jpg: the time of that living moment<\/p>

is now \u2018eternally on hold\u2019.<\/p>

Like this, nothing can happen to us. Like this, we don’t need to respond, transform, wonder, question, grow. We are a safe and comfortable image.<\/p>

A presentation of phantasm. A static personal character. A ready-made hand-out. Successful-since-ever, experts-for-ever. A childlike mimesis of a tree in<\/p>

an amateur theater. Thus, an act of performing has deserted the performing arts. Theatres are emptying, artists’ technical skills are practically redundant.<\/p>

Outside, in offices, streets, social media, performance flourishes, joyfully shows off and boosts its ‘looks-like-important\u2019. That’s how you convince others.<\/p>

That’s how you start believing your own lie. For, a static symbolic value can only be fixed to a static image that never challenges our conviction and<\/p>

self-certainty by the reality of ever-changing life in \u00a0motion.<\/p>

We praise the absence of living cognition.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>

The absence of living judgement.<\/p>

Paradoxically, the art of photography is dying.<\/p>

We are numb creatures.<\/p>

An exiled and displaced theater.<\/p>

A pending life.<\/p>

In the meantime, the technology of film has advanced enormously.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 THE SCORE<\/p>

The Intervention was initially not planned, yet I got greatly inspired when I received the Dropbox\u2019s commercial for \u201cbecoming a creative genius\u201d. The degree of dummyfying marketing rhetoric leaves me stunned each time. At first, I spent three days preparing the most important part of the Intervention: the \u201cPower board\u201d presentation. Then I called the photographer \u2013 to arrange the second most important part of \u201cany professional action\u201d: photo shooting, of course! When the time came to invite the performers, I still thought that we should first explore and practice how to make different poses, so to bring across the sense of the \u201ctwisted business dolls\u201d. However, I quickly changed my mind, since I realized that such an approach would run against the point, for, in that case, our action would require and employ performing and movement skills<\/em>. Therefore, we only met half an hour before the Intervention, to put on the costumes and fake smiles, quickly check 10 stereotypical images of businessmen, and go directly on the street with one instruction only: \u2018hold a still position until you can, and when you cannot anymore, hold it anyway\u2019. When they asked me about the composition between us, the answer was clear: \u2018fake it, until you make it\u2019. The only aim of our skill-less Intervention was therefore to represent ourselves<\/em> as \u201cthe successful ones\u201d, and to create the Expert\u2019s Portfolio<\/em>. A portfolio that truly speaks about \u2026 well, about how to make a portfolio.<\/p>

I now believe we would have made a much more genius move, if, instead of photo shooting, we recorded a film: a sequence of images, running in vain on a timeline, since those who should be moving are stuck … a genius invention creatively robbed of it geniality.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Concept of the project & the Intervention:<\/strong> Radharani Pernar\u010di\u010d<\/p>

Performers:\u00a0<\/strong>\u017digan Krajn\u010dan, Ivan Mija\u010devi\u0107, Radharani Pernar\u010di\u010d<\/p>

Photos: <\/strong>Sun\u010dan Stone
<\/strong><\/p>

Thanks to:<\/strong> Cirkulacija2 <\/p>

The project was supported by the City of Ljubljana<\/p>

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Intervention 5: KOV\u010cING COACHING COUCHING \u00a0 The origins of the film date back to the late 19th Century. It evolved when Thomas Alva Edison combined several individual photographs on a perforated film tape. The basis of film is photography: film is a sequence of many images, sequenced one after the other. Film is the art […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6694","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages\/6694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/comments?post=6694"}],"version-history":[{"count":22,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages\/6694\/revisions"}],"predecessor-version":[{"id":6969,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages\/6694\/revisions\/6969"}],"wp:attachment":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/media?parent=6694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}