{"id":6276,"date":"2024-12-21T11:59:22","date_gmt":"2024-12-21T11:59:22","guid":{"rendered":"https:\/\/aniradar.com\/?page_id=6276"},"modified":"2024-12-22T07:41:52","modified_gmt":"2024-12-22T07:41:52","slug":"performing-projects-at-the-permanent-address-of-our-endeavor-score-17","status":"publish","type":"page","link":"https:\/\/aniradar.com\/index.php\/performing-projects-at-the-permanent-address-of-our-endeavor-score-17\/","title":{"rendered":"Performing-PERMANENT ADDRESS-Score-17"},"content":{"rendered":"\t\t
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Score No.17:<\/p>

LETTERS INTO PARALELNESS<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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For the observer, things are simple. But when you are standing in the middle of situations, your involvement in them can limit your view.<\/p>

Even when I don’t see you for a long time, I am an agent in our shared observatory.<\/p>

\u00a0<\/p>

THE SCORE<\/p>

Score No. 17 is based on a simple division of space: the audience can move around and sees the whole action, while we are separated by a paper-screen.<\/p>

We can only send letters to each other \u2026 from a temporary to a permanent address? Each at our own time, which is the shared time. Letters that are<\/p>

not verbal, but sensory.<\/p>

Parallelness usually suggests a lack of contact \u2013 yet, can we see ‘parallel’ as a particular way of being connected?<\/p>

Can parallelness also be a field in which the lives of different plays correspond?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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“Can you feel me?<\/p>

[…]<\/p>

Are you still alone?<\/p>

Is that still you?<\/p>

I am writing to record time, and in the course of my act, time passes.<\/p>

[…]<\/p>

Then I am completely in you, with you.<\/p>

But then you are gone too.<\/p>

I’m runnin out of the written, there is less and less of me with each letter?<\/p>

It is wonderful to sit next to a person who is dancing and does not mind your presence.<\/p>

It’s as if the dancer is letting you see his\/her deepest intimacy up close.<\/p>

From a distance I feel nothing \u2013 the paper does not cooperate.<\/p>

The spectator without being infected is dead.<\/p>

I don’t know which side of the cage we are on in the zoo… actually, the human garden.<\/p>

[…]<\/p>

A gallery of stories, carved by movement.<\/p>

I am here, typing on a typewriter.<\/p>

Very nice!”<\/p>

\u00a0<\/p>

(From the spectator’s text, written during the performance<\/em>)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Concept of the project:<\/strong> Radharani Pernar\u010di\u010d<\/p>

Co-authors of the Score & performers: <\/strong>Sre\u010dko Jor\u0161 (Gregor Kamnikar), Radharani Pernar\u010di\u010d<\/p>

Video:<\/strong> Mihaela Ciuha<\/p>

Photography:<\/strong> Sun\u010dan Stone (picture 4-9, 12-15, 17), AniRadar (1, 18), visitors (other) <\/p>

Production:<\/strong> Vaba Festival<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Score No.17: LETTERS INTO PARALELNESS For the observer, things are simple. But when you are standing in the middle of situations, your involvement in them can limit your view. Even when I don’t see you for a long time, I am an agent in our shared observatory. \u00a0 THE SCORE Score No. 17 is based […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6276","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages\/6276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/comments?post=6276"}],"version-history":[{"count":8,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages\/6276\/revisions"}],"predecessor-version":[{"id":6478,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages\/6276\/revisions\/6478"}],"wp:attachment":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/media?parent=6276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}