{"id":5751,"date":"2024-12-16T14:06:42","date_gmt":"2024-12-16T14:06:42","guid":{"rendered":"https:\/\/aniradar.com\/?page_id=5751"},"modified":"2026-05-01T08:46:45","modified_gmt":"2026-05-01T08:46:45","slug":"media","status":"publish","type":"page","link":"https:\/\/aniradar.com\/index.php\/media\/","title":{"rendered":"Media-responces"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"5751\" class=\"elementor elementor-5751\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-dee518e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"dee518e\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f4ea41a\" data-id=\"f4ea41a\" data-element_type=\"column\" data-e-type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c5b2d80 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"c5b2d80\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>\u010cAVI\u0106, Ana<strong>.<\/strong><em> \u201cNa za\u010detku je bilo tako\u201d:<\/em> recenzija predstave Paviljon objemov Radharani Pernar\u010di\u010d. Sigledal, 11.2.2026: <a href=\"https:\/\/veza.sigledal.org\/kritika\/in-the-beginning-it-was-like-that-na-zacetku-je-bilo-tako-r\">https:\/\/veza.sigledal.org\/kritika\/in-the-beginning-it-was-like-that-na-zacetku-je-bilo-tako-r \u00a0 \u00a0<\/a>ENG (see PDF bellow)<\/p><p>GAMS, Mi\u0161a. <em>Paviljon objemov Radharani Pernar\u010di\u010d \u2013 celjenje sodobne dru\u017ebe skozi \u017eivljenjsko prizmo staroselcev<\/em>. <span style=\"color: #808080;\">[Presentation of the visual-performative installation Pavilion of embraces, 3.\u20137.11.2025, Kultural incubator, Maribor, Slovenia].<\/span> 17. 11.2025, PRI.MUS:\u00a0<a href=\"https:\/\/www.revijaprimus.si\/2025\/11\/17\/paviljon-objemov-radharani-pernarcic-celjenje-sodobne-druzbe-skozi-zivljenjsko-prizmo-staroselcev\/\">https:\/\/www.revijaprimus.si\/2025\/11\/17\/paviljon-objemov-radharani-pernarcic-celjenje-sodobne-druzbe-skozi-zivljenjsko-prizmo-staroselcev\/<\/a><\/p><p>\u0160ROT, Tina. <em>Plesna predstava Radharani Pernar\u010di\u010d: Paviljon objemov<\/em>. <span style=\"color: #808080;\">[TV presentation of the dance performance Pavilion of embraces, 16.10. 2025, Cirkulacija2, Ljubljana<em>.<\/em>]<\/span> 16.10.2025, RTV SLO,\u00a0 Kultura: <a href=\"https:\/\/365.rtvslo.si\/arhiv\/kultura\/175167332\">https:\/\/365.rtvslo.si\/arhiv\/kultura\/175167332<\/a><\/p><p>GAMS, Mi\u0161a. <em>Paviljon objemov za staroselce in ljudstva, ki prestajajo kolonizacijo, genocid in vsakdanje nasilje<\/em> <span style=\"color: #808080;\">[Critique of the dance performance Pavilion of embraces by Radharani Pernar\u010di\u010d\/AniRadar, 13.10.2025, Cirkulacija2, Ljubljana].<\/span> Sigledal, 21.9.2025: <a href=\"https:\/\/veza.sigledal.org\/kritika\/paviljon-objemov-za-staroselce-in-ljudstva-ki-prestajajo-kolonizacijo-genocid-in-vsakdanje-nasilje-r?brid=M_O0q7E4Mex12524NwyWzg\">https:\/\/veza.sigledal.org\/kritika\/paviljon-objemov-za-staroselce-in-ljudstva-ki-prestajajo-kolonizacijo-genocid-in-vsakdanje-nasilje-r?brid=M_O0q7E4Mex12524NwyWzg<\/a><\/p><p>TER\u017dAN, Kaja. <em>\u201cne da se biti ve\u010d kot \u010dlovek\u201d.<\/em> <span style=\"color: #808080;\">[Critique\/reflection on Radharani Pernar\u010di\u010d\u2019s <em>Skalpel za sanjsko membrano <\/em>poetry book]. <\/span>15.1.2025, Poesis.si: <a href=\"https:\/\/www.poiesis.si\/kaja-terzan-ne-da-se-biti-vec-kot-clovek\/\">https:\/\/www.poiesis.si\/kaja-terzan-ne-da-se-biti-vec-kot-clovek\/<\/a><\/p><p>GAMS, Mi\u0161a. <em>O subtilnem svetu, ki ga nih\u010de ve\u010d ne ceni: intervju z umetnico Radharani Pernar\u010di\u010d<\/em>. <span style=\"color: #808080;\">[Interview with Radharani Pernar\u010di\u010d.]<\/span> Mentor, september 2024, 45(3): 85-94.\u00a0\u00a0 \u00a0\u00a0 <strong><a href=\"https:\/\/aniradar.com\/index.php\/articles-selected-texts\/\">PDF<\/a><\/strong><\/p><p>BREN\u010cI\u010c, Polona. <em>Ve\u010der z nagrajenci v kr\u0161ki knji\u017enici<\/em>. <span style=\"color: #808080;\">[Newspaper article on the of the awarded self-published books and poetry reading.]<\/span> 26.04.2024, <em>Posavski obzornik<\/em>: <a href=\"https:\/\/www.posavskiobzornik.si\/novice\/%E2%80%8Bvecer-z-nagrajenci-v-krski-knjiznici-103488\">https:\/\/www.posavskiobzornik.si\/novice\/%E2%80%8Bvecer-z-nagrajenci-v-krski-knjiznici-103488<\/a><\/p><p>BRIZANI, Enisa. <em>V Valvasorjevi knji\u017enici v Kr\u0161kem so se predstavili samozalo\u017eniki.<\/em> <span style=\"color: #808080;\">[TV presentation of the awarded books and poetry reading.]<\/span> RTV Slovenija, Dnevnik, 22.4.2024. <a href=\"https:\/\/365.rtvslo.si\/arhiv\/dnevnik\/175039572\">https:\/\/365.rtvslo.si\/arhiv\/dnevnik\/175039572<\/a><\/p><p>GAMS, Mi\u0161a. Ocena zbirke Radharani Pernar\u010di\u010d \u2018Skalpel za sanjsko membrano\u2019. <span style=\"color: #808080;\">[Critique of the poetry book <\/span><em><span style=\"color: #808080;\">Scalpel for the dream membrane.<\/span><\/em><span style=\"color: #808080;\">]<\/span> 27<em>. 10. 2023, Vrabec Anarhist<\/em>: <a href=\"http:\/\/vrabecanarhist.eu\/misa-gams-radharani-pernarcic\/\">http:\/\/vrabecanarhist.eu\/misa-gams-radharani-pernarcic\/<\/a><\/p><p>KAPELJ, Barbara. <em>Lahko vse re\u0161imo s klimo? <\/em><span style=\"color: #808080;\">[Critique of the <em>Dance catalogue of comfort<\/em> project.]<\/span> 30.12.2022, Neodvisni.art: <a href=\"https:\/\/www.neodvisni.art\/refleksija\/2022\/12\/lahko-vse-resimo-s-klimo\/?fbclid=IwAR2qy2oCbiHPXYvNwkj8UvJfB5zObqnYnnoW_L0miB7zG62tqICcvm_Smnw\">https:\/\/www.neodvisni.art\/refleksija\/2022\/12\/lahko-vse-resimo-s-klimo\/?fbclid=IwAR2qy2oCbiHPXYvNwkj8UvJfB5zObqnYnnoW_L0miB7zG62tqICcvm_Smnw<\/a><\/p><p>\u010cESNIK, Meta. <em>Rastava Izumije Castra Fik Arke v Cirkulaciji2.<\/em> <span style=\"color: #808080;\">[TV presentation of the exhibition <em>Invaintions of Castro Fik Arka.<\/em>]<\/span> 29.3.2021, RTV SLO,\u00a0 Kultura: <a href=\"https:\/\/www.rtvslo.si\/4d\/arhiv\/174764660?s=tv\">https:\/\/www.rtvslo.si\/4d\/arhiv\/174764660?s=tv<\/a><\/p><p>\u0160KERLJ, Nena. <em>Sledi ne\u010desa fantasti\u010dnega: TONOzaver, Nejeverni zmajeglavec in drugi hibridi<\/em>. <span style=\"color: #808080;\">[Critique of the exhibition <em>Inventions and ill-ustrations of Castro Fik Arka.<\/em>] <span style=\"color: #000000;\">8.4.2020, Neodvisni.art: <\/span><\/span><a href=\"https:\/\/www.neodvisni.art\/refleksija\/2020\/04\/sledi-necesa-fantasticnega\/\">https:\/\/www.neodvisni.art\/refleksija\/2020\/04\/sledi-necesa-fantasticnega\/<\/a><\/p><p>KORUN, Barbara. <em>Sledi ne\u010desa fantasti\u010dnega: Izumije in pra-skice Castra Fik Arke<\/em>. <span style=\"color: #808080;\">[Critique of the exhibition <em>Inventions and ill-ustrations of Castro Fik Arka<\/em>.]<\/span> 8.4. 2020, Neodvisni.art: <a href=\"https:\/\/www.neodvisni.art\/refleksija\/2020\/04\/sledi-necesa-fantasticnega\/\">https:\/\/www.neodvisni.art\/refleksija\/2020\/04\/sledi-necesa-fantasticnega\/<\/a><\/p><p>Ajda, Bra\u010di\u010d. <em>Layerjeva hi\u0161a: Idealna vloga galerije je povezovanje razli\u010dnih publik.<\/em> <span style=\"color: #808080;\">[Critique of the exhibition <em>Inventions and ill-ustrations of Castro Fik Arka.<\/em>]<\/span> 2.4.2020, Outsider: <a href=\"https:\/\/outsider.si\/layerjeva-hisa-idealna-vloga-galerije-je-povezovanje-razlicnih-publik\/\">https:\/\/outsider.si\/layerjeva-hisa-idealna-vloga-galerije-je-povezovanje-razlicnih-publik\/<\/a><\/p><p>VELIO\u011eLU, \u015eafak. <em>Documentation Art Summer Prora<\/em>. <span style=\"color: #808080;\">[Video presentation of the selected artists at the Prora art summer school.]<\/span> 24. 8. 2020, YouTube: <a href=\"https:\/\/www.youtube.com\/watch?v=PGn4Zzr5C-8\">https:\/\/www.youtube.com\/watch?v=PGn4Zzr5C-8<\/a><\/p><p>BRUN, Alenka. <em>Pre\u0161ernov dan v Kranjski Layerjevi hi\u0161i<\/em>. <span style=\"color: #808080;\">[Mentions of the exhibition in a newspaper article.]<\/span> 3. 2.2020. Gorenjski glas: <a href=\"https:\/\/www.gorenjskiglas.si\/article\/20200203\/C\/200209940\/1040\/presernov-dan-v-kranjski-layerjevi-hisi\">https:\/\/www.gorenjskiglas.si\/article\/20200203\/C\/200209940\/1040\/presernov-dan-v-kranjski-layerjevi-hisi<\/a><\/p><p>MARKOWSKA, Anna. <em>Oduczanie<\/em>, deskilling<em> i epistemologie niewiedzy w obszarze sztuki wsp\u00f3\u0142czesnej i jej historii.<\/em> <span style=\"color: #808080;\">[Mentions in the article on\u00a0 <em>D. Dragi\u010devi\u0107&#8217; Failure as practice<\/em> project, 2019.]<\/span> Quart, the Quarterly of the Institute of Art History at the University of Wroc\u0142aw, 2021, 1(59): 23.\u00a0<\/p><p>KRIVIC, Matev\u017e. <em>Ljudje onkraj voja\u0161ke \u017eice<\/em>. <span style=\"color: #808080;\">[Newspaper article on the opening performance and exhibition.]<\/span> 26. 5. 2018, Slovenske novice: <a href=\"http:\/\/www.slovenskenovice.si\/iz-tiskane-izdaje\/clanek\/ljudje-onkraj-vojaske-zice-51851\">http:\/\/www.slovenskenovice.si\/iz-tiskane-izdaje\/clanek\/ljudje-onkraj-vojaske-zice-51851<\/a><\/p><p>FRANCABANDERA, Renzo. <em>Festival Periferico 2017 &#8211; villaggio Artigiano Modena &#8211; Renzo Francabandera. <\/em><span style=\"color: #808080;\">[Video presentation on the festival &amp; interviews with selected authors.]<\/span> Available at: <a href=\"https:\/\/www.youtube.com\/watch?v=12qXRhWGN74\">https:\/\/www.youtube.com\/watch?v=12qXRhWGN74<\/a><\/p><p>AZZONI, Simone. <em>Periferico Festival. Alto, fragile, urgente. Periferico festival di Modena ci interroga su come cambiare il presente con l\u2019arte, cucire con i sogni le ferite di un territorio<\/em>. <span style=\"color: #808080;\">[Mentions of the artist in the Periferico festival presentation.]<\/span> May 2017. <a href=\"http:\/\/www.darsmagazine.it\/periferico-festival-alto-fragile-urgente\/#.WS_iFRPygUG\">http:\/\/www.darsmagazine.it\/periferico-festival-alto-fragile-urgente\/#.WS_iFRPygUG<\/a><\/p><p>OSOJNIK, Iztok. <em>Recenzentski zapis o tigrih in rekah.<\/em> <span style=\"color: #808080;\">[Review on the performative-visual installation <em>Score 21-23: Skriti tigri, vzhajajo\u010da reka<\/em>.] <span style=\"color: #000000;\">6. 11. 2016, Na stalnem naslovu najinega po\u010detja: <a href=\"https:\/\/pocetje.tumblr.com\/post\/152811553748\/iztok-se-razpi%C5%A1e-o-tigrih-in-rekah\">https:\/\/pocetje.tumblr.com\/post\/152811553748\/iztok-se-razpi%C5%A1e-o-tigrih-in-rekah<\/a><\/span><\/span><\/p><p>JERI\u010c, Ilona. <em>O Bullroarerju Radharani Pernar\u010di\u010d.<\/em> <span style=\"color: #808080;\">[Critique of the poetry book <em>Bull-roarer<\/em>]<\/span>. 19. 5. 2015, Pesnice.si:<a href=\"http:\/\/pesnice.si\/ilona-jeric-o-bull-roarerju-radharani-pernarcic\/\">http:\/\/pesnice.si\/ilona-jeric-o-bull-roarerju-radharani-pernarcic\/<\/a><\/p><p>OSOJNIK, Iztok. <em>\u00bbToda opredeliti se\u00ab. <\/em><span style=\"color: #808080;\">[Critique of the poetry book <em>Bull-roarer.<\/em>]<\/span> 15. 5. 2015, Pesnice.si: <a href=\"http:\/\/pesnice.si\/iztok-osojnik-o-bull-roarerju-radharani-pernarcic\/\">http:\/\/pesnice.si\/iztok-osojnik-o-bull-roarerju-radharani-pernarcic\/<\/a><\/p><p>RO\u017dI\u010c, Janko. <em>Velika vojna in ni\u010d kaj manj\u0161i mir.<\/em> <span style=\"color: #808080;\">[Critique\/essay on the poetry book Bull-roarer.]<\/span> Apokalipsa, 2014,\u00a0 MMXIV(179\/180\/181): 7. [COBISS.SI-ID <a href=\"http:\/\/cobiss4.izum.si\/scripts\/cobiss?id=1538410813046324\">289348608<\/a>]\u00a0<\/p><p>RO\u017dI\u010c,\u00a0 Janko. <em>Veliki rat i ni\u0161ta manji mir.<\/em> <span style=\"color: #808080;\">[Critique\/essay on the poetry book Bull-roarer.] <\/span>Nova Istra: \u010casopis za knji\u017eevnost, kulturolo\u0161ke i dru\u0161tvene teme, 2014, XIX\/50(3-4): 9.<\/p><p>LEBAN, Nadja. <span style=\"color: #808080;\">[Interview with Radharani Pernar\u010di\u010d and Denis \u0160kofi\u010d, authors of the nominated poetry books for Jenko award].<\/span> <em>Jenkovi dnevi<\/em>, 2014. Available at: <a href=\"http:\/\/www.skledar.tv\/produkcija\">www.skledar.tv\/produkcija<\/a><\/p><p>PEVEC, Zoran: <em>Znamenja zunaj robov, <\/em>recenzija pesni\u0161ke zbirke &#8216;<em>Bull-roarer&#8217;<\/em> Radharani Pernar\u010di\u010d. <span style=\"color: #808080;\">[Critique of the poetry book <em>Bull-roarer<\/em>].<\/span> Poetikon, 2014, 10(53\/54): 196-197. [COBISS.SI-ID <a href=\"http:\/\/cobiss5.izum.si\/scripts\/cobiss?id=1939465749746019\">280471296<\/a>]<\/p><p>KURET, Robert. <em>Opazovanje VS Participacija<\/em>. <span style=\"color: #808080;\">[Mentions in the review of the <em>Mlade rime<\/em> poetry festival]<\/span>. 2013, LUD Literatura. Available at: <a href=\"http:\/\/www.ludliteratura.si\/kritika-komentar\/opazovanje-vs-participacija\/\">http:\/\/www.ludliteratura.si\/kritika-komentar\/opazovanje-vs-participacija\/<\/a><\/p><p>ELSNER GRO\u0160ELJ, Marko. <em>Pogumno vstopanje v svet<\/em>: Zbornik Mlade rime. <span style=\"color: #808080;\">[Special mentions in the review of the <em>Mlade rime<\/em> poetry volume].<\/span> Mentor, 2012, 33(4):121-122) [COBISS.SI-ID <u><a href=\"https:\/\/plus.cobiss.net\/cobiss\/si\/sl\/bib\/264305152\">264305152<\/a><\/u>]<\/p><p>VINCETI\u010c, Milan. <em>Odsko\u010di\u0161\u010de z mikrofonom v lon\u010dnici. <\/em><span style=\"color: #808080;\">[Mentions in the review of the <em>Mlade rime 1<\/em> poetry Volume].<\/span> Delo: Knji\u017eevni listi, 20. 12. 2011, pg. 16.\u00a0<\/p><p>PI\u0160EK, Mojca. <em>Za\u010daranost v navadnosti. <\/em><span style=\"color: #808080;\">[Critique of the poetry book <em>Vesolje \u017ealujko, veter \u017ealuzije<\/em>.]<\/span> Dnevnik, 5. 10. 2010, pg. 19. Available at: <a href=\"https:\/\/www.dnevnik.si\/1042661002\">https:\/\/www.dnevnik.si\/1042661002<\/a><\/p><p>PUNCER, Mojca. <em>Intervju z Radharani Pernar\u010di\u010d\u00a0 o plesni predstavi\u00a0<\/em>Polne sob s priprtih hodnikov<em> ter povezavi gledali\u0161\u010da in antropologije.<\/em> <span style=\"color: #808080;\">[Interview on the dance performance <em>Full of rooms from ajar halls<\/em> and connection between theatre and anthropology.]<\/span> Borec, 2010, 62(672-675): 251-270. [COBISS.SI-ID <a href=\"http:\/\/cobiss.izum.si\/scripts\/cobiss?command=DISPLAY&amp;base=COBIB&amp;RID=44801122\">44801122<\/a>] \u00a0\u00a0<\/p><p>ELSNER GRO\u0160ELJ, Marko. <em>Ponikanje in vra\u010danje. <\/em><span style=\"color: #808080;\">[Critique of the poetry book <em>Vesolje \u017ealujko, veter \u017ealuzije<\/em>.]<\/span> Mentor, 2009, 10(9-10): 77-78. [COBISS.SI-ID<a href=\"http:\/\/cobiss6.izum.si\/scripts\/cobiss?id=1603354155163520\"> 260486912<\/a>]<\/p><p>CESTNIK, Marko. <em>Med nadrobnostjo in vseobse\u017enostjo. <\/em><span style=\"color: #808080;\">[Critique of the poetry book <em>Vesolje \u017ealujko, veter \u017ealuzije<\/em>.]<\/span> Ampak, 2008, 29(5): 90-91. [COBISS.SI-ID\u00a0 <a href=\"http:\/\/cobiss5.izum.si\/scripts\/cobiss?id=1939465749746019\">259898624<\/a>]<\/p><p>KRANJC, Matej. <em>Kristali bilk in ples poezije<\/em>. <span style=\"color: #808080;\">[Critique of the poetry book <em>Vesolje \u017ealujko, veter \u017ealuzije<\/em>.]<\/span> Apokalipsa, 2008, (124,125): 170-172. [COBISS.SI-ID <a href=\"http:\/\/cobiss5.izum.si\/scripts\/cobiss?id=0944019250450432\">254310144<\/a>].<\/p><p>PEVEC, Zoran. <em>Neskon\u010dnost na jeziku. <\/em><span style=\"color: #808080;\">[Critique of the poetry book <em>Vesolje \u017ealujko, veter \u017ealuzije<\/em>.]<\/span> Poetikon, 2008, 4 (21\/22): 193-194. [COBISS.SI-ID <a href=\"http:\/\/cobiss5.izum.si\/scripts\/cobiss?id=0944019250450432\">254310144<\/a>].<\/p><p>JAN\u010cI\u010c, Jelena. <em>Pasti in izzivi sodobnega plesa<\/em>. <span style=\"color: #808080;\">[Interview with Radharani Pernar\u010di\u010d about contemporary dance].<\/span> 2008, Studio 12: <a href=\"https:\/\/blaz-batagelj.blogspot.com\/2015\/09\/pasti-in-izzivi-sodobnega-plesa-delovno.html\">https:\/\/blaz-batagelj.blogspot.com\/2015\/09\/pasti-in-izzivi-sodobnega-plesa-delovno.html<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b188549 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b188549\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-8dee1d5\" data-id=\"8dee1d5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fc25ae4 elementor-widget elementor-widget-text-editor\" data-id=\"fc25ae4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Ana \u010cavi\u0107<\/p><p>&#8220;IN THE BEGINNING, IT WAS LIKE THAT&#8221;<\/p><p>[Original reflection in English]<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bbc3c98 elementor-widget elementor-widget-embedpress_pdf\" data-id=\"bbc3c98\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"embedpress_pdf.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t    <div class=\"embedpress-document-embed ep-doc-174da11663dbc7fb720f61abbb3a79ad ose-document emebedpress-unit-percent \" data-thememode=\"default\" data-customcolor=\"\" data-toolbar=\"yes\" data-toolbar-position=\"top\" data-open=\"no\" data-presentation-mode=\"yes\" data-download=\"yes\" data-copy=\"yes\" data-add-image=\"yes\" data-rotate=\"yes\" data-details=\"yes\" data-id=\"embedpress-pdf-bbc3c98\" data-selection-tool=\"0\" data-scrolling=\"0\" data-spreads=\"-1\" style=\" max-width:100%; display: inline-block\">\n\n        \n                <div >\n\n                    <div id=\"ep-elementor-content-bbc3c98\" class=\"ep-elementor-content   ep-percentage-width   ep-content-protection-disabled\">\n                        <div id=\"bbc3c98\" class=\"ep-embed-content-wraper\">\n                            <div><iframe title=\"In the beginning it was like that _AnaCavic\" class=\"embedpress-embed-document-pdf embedpress-pdf-bbc3c98\" style=\"width: 600%!important;height: 600px;; max-width:100%; display: inline-block\" src=\"https:\/\/aniradar.com\/wp-admin\/admin-ajax.php?action=get_viewer&#038;file=https%3A%2F%2Faniradar.com%2Fwp-content%2Fuploads%2F2026%2F05%2FIn-the-beginning-it-was-like-that-_AnaCavic.pdf&#038;scrolling=0&#038;selection_tool=0&#038;spreads=-1#key=dGhlbWVNb2RlPWRlZmF1bHQmdG9vbGJhcj10cnVlJnBvc2l0aW9uPXRvcCZwcmVzZW50YXRpb249dHJ1ZSZsYXp5TG9hZD1mYWxzZSZkb3dubG9hZD10cnVlJmNvcHlfdGV4dD10cnVlJmFkZF90ZXh0PXRydWUmZHJhdz10cnVlJmFkZF9pbWFnZT10cnVlJnBkZl9yb3RhdGlvbj10cnVlJnBkZl9kZXRhaWxzPXRydWUmem9vbV9pbj10cnVlJnpvb21fb3V0PXRydWUmZml0X3ZpZXc9dHJ1ZSZib29rbWFyaz10cnVlJnNvdW5kPXRydWUmZmxpcGJvb2tfdG9vbGJhcl9wb3NpdGlvbj1ib3R0b20mc2VsZWN0aW9uX3Rvb2w9MCZzY3JvbGxpbmc9MCZzcHJlYWRzPS0xJmlzX3Byb19hY3RpdmU9MA==&#038;zoom=auto\" class=\"embedpress-embed-document-pdf embedpress-pdf-bbc3c98\" data-emid=\"embedpress-pdf-bbc3c98\" data-embed-type=\"PDF\" frameborder=\"0\"><\/iframe><p class=\"embedpress-el-powered\">Powered By EmbedPress<\/p><\/div>                        <\/div>\n\n                    <\/div>\n\n\n                   \n                <\/div>\n            \n    <\/div>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-939d953\" data-id=\"939d953\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ae8568c elementor-widget elementor-widget-embedpress_pdf\" data-id=\"ae8568c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"embedpress_pdf.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t    <div class=\"embedpress-document-embed ep-doc-dc113c4cfbf7e6527216b2ccdbd93ea3 ose-document emebedpress-unit-percent \" data-thememode=\"default\" data-customcolor=\"\" data-toolbar=\"yes\" data-toolbar-position=\"top\" data-open=\"no\" data-presentation-mode=\"yes\" data-download=\"yes\" data-copy=\"yes\" data-add-image=\"yes\" data-rotate=\"yes\" data-details=\"yes\" data-id=\"embedpress-pdf-ae8568c\" data-selection-tool=\"0\" data-scrolling=\"0\" data-spreads=\"-1\" style=\" max-width:100%; display: inline-block\">\n\n        \n    <\/div>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\u010cAVI\u0106, Ana. \u201cNa za\u010detku je bilo tako\u201d: recenzija predstave Paviljon objemov Radharani Pernar\u010di\u010d. Sigledal, 11.2.2026: https:\/\/veza.sigledal.org\/kritika\/in-the-beginning-it-was-like-that-na-zacetku-je-bilo-tako-r \u00a0 \u00a0ENG (see PDF bellow) GAMS, Mi\u0161a. Paviljon objemov Radharani Pernar\u010di\u010d \u2013 celjenje sodobne dru\u017ebe skozi \u017eivljenjsko prizmo staroselcev. [Presentation of the visual-performative installation Pavilion of embraces, 3.\u20137.11.2025, Kultural incubator, Maribor, Slovenia]. 17. 11.2025, PRI.MUS:\u00a0https:\/\/www.revijaprimus.si\/2025\/11\/17\/paviljon-objemov-radharani-pernarcic-celjenje-sodobne-druzbe-skozi-zivljenjsko-prizmo-staroselcev\/ \u0160ROT, Tina. Plesna predstava [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5751","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages\/5751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/comments?post=5751"}],"version-history":[{"count":89,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages\/5751\/revisions"}],"predecessor-version":[{"id":8703,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages\/5751\/revisions\/8703"}],"wp:attachment":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/media?parent=5751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}