{"id":5689,"date":"2024-12-16T11:11:15","date_gmt":"2024-12-16T11:11:15","guid":{"rendered":"https:\/\/aniradar.com\/?page_id=5689"},"modified":"2026-05-01T10:02:56","modified_gmt":"2026-05-01T10:02:56","slug":"articles","status":"publish","type":"page","link":"https:\/\/aniradar.com\/index.php\/articles\/","title":{"rendered":"Articles"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

ARTICLES<\/p>

\u00a0<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

[anthropology &<\/p>

performing arts]<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

PERNAR\u010cI\u010c, Radharani; KOSI, Katja (translation). Je\u010dar. Je \u010dar<\/em>; Captivating. And a capture.<\/em> Maska, 2023, XXXVIII (215-16): 144-147 (si), 148-151 (eng) [COBISS: 184183555<\/a>].\u00a0\u00a0 \u00a0 PDF<\/a><\/strong><\/p>

PERNAR\u010cI\u010c, Radharani; LOTHAR, Orel (translation). Katalogos udobja<\/em>; Catalogues of Comfort<\/em>. [Postproduction article.]<\/span> Maska, 2023, XXXVIII (213-14): 36-41(si), 42-46 (eng).\u00a0\u00a0 PDF<\/a><\/strong><\/p>

PERNAR\u010cI\u010c, Radharani. \u017de akumulator \u2013 ampak brez alternatorja hitro ni ni\u010d!<\/em> Esej na temo ‘Umetnost in kontinuiteta’ v organizaciji Snje\u017eane Premu\u0161 in Zavoda Federacija, 20.-23.10.2021, Stara mestna elektrarna, Ljubljana. 8.12.2021. Zavod Federacija: https:\/\/zavod.federacija.si\/aktualno-esej-recenzija\/<\/a> \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0 PDF<\/a><\/strong><\/p>

PERNAR\u010cI\u010c, Radharani. V lasti lastovic:<\/strong> A word to a poetry book. In: \u0160KRABAN, Ju\u0161. Ribja hoja<\/em>. Velike La\u0161\u010de: Zavod za razvijanje ustvarjalnosti, 2020, pg. 59-77. \u00a0<\/strong>[COBISS.SI-ID\u00a0\u2013 304387328<\/a>]<\/p>

PERNAR\u010cI\u010c, Radharani. Mesta, kjer se mesto zapre. Brez(vez)no v imitaciji vesterna. <\/strong><\/em>Apokalipsa, 2020, MMXX (237-238): 129-157. [COBISS.SI-ID 35296813<\/a>] \u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0 PDF<\/a><\/strong><\/p>

PERNAR\u010cI\u010c, Radharani. SENSEncePICNIC: Senzibilizacijska in somatska vadba. In: DEKLEVA, Bojan (ed.), \u0160KRABAN, Ju\u0161 (ed.). SVET, ki se sli\u0161i<\/em>. Ljubljana: Faculty of education, University of Ljubljana, 2019, pg. 131-137. [COBISS.SI-ID \u2013 299284224<\/a>] \u00a0\u00a0 \u00a0\u00a0 \u00a0PDF<\/a><\/strong><\/p>

PERNAR\u010cI\u010c, Radharani. What touch touches you<\/em>. [Conference paper.]<\/span> 25. 3. 2017, The performing touch<\/em> \u2013 the performing relationship in theatres and performances<\/em> international symposium, Cultural center \u0160kofja Loka, Slovenia.<\/p>

PERNAR\u010cI\u010c, Radharani. Empathic and embodied imagination: Introduction into Juhani Pallasmaa\u2019s lecture. In: VODOPIVEC, Ale\u0161 (ed.), BOHINC, Klara (ed.). Burial urn for an artist: one week workshop<\/em>.<\/strong> Ljubljana: Faculty of architecture, University of Ljubljani, 2015, pg. 11\u201312.<\/p>

PERNAR\u010cI\u010c, Radharani. Izklju\u010deni iz izklju\u010denosti: frilens umetniki (kulturniki) kot modni kroj za cesarjeva nova obla\u010dila (fragment 2). <\/em>Glasnik SED, Ljubljana 2012, 52(1\/4): 29\u201336. [COBISS.SI-ID 35296813<\/a>] \u00a0\u00a0\u00a0 PDF<\/strong><\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Izklju\u010deni iz izklju\u010denosti: frilens umetniki (kulturniki) kot modni kroj za cesarjeva nova obla\u010dila (fragment 1). <\/em>ARS & HUMANITAS, 2012, VI(1): 131\u2013147. [COBISS.SI-ID 51409762<\/a>] \u00a0 \u00a0 \u00a0 PDF<\/a><\/strong><\/p>

PERNAR\u010cI\u010c, Radharani. The impossible discourse. <\/em>In: NITSIAKOS, Vasilis (ed.) et al. Balkan Border Crossings: Second Annual of the Konitsa Summer School<\/em>. Berlin: LIT Verlag Dr. W. Hopf, 2011, pg. 3-84. [COBISS.SI-ID 48363106<\/a>]<\/p>

PERNAR\u010cI\u010c, Radharani., KLAUS, Simona (<\/em>et al.). Interdisciplinarna delavnica ‘Antropologija telesenja in izku\u0161nje: teorija in praksa’. <\/em>Glasnik SED, Ljubljana 2011, 51(1\/2): 78\u201380. [COBISS.SI-ID 46519138<\/a>] \u00a0 \u00a0\u00a0 PDF<\/a><\/strong><\/p>

PERNAR\u010cI\u010c, Radharani. Zlo\u010din in kazen XXX : saga o slovenskih “frilancarjih” ali sam\u00f3-zaposlenih v kulturi. <\/em>Glasnik SED, 2010, 50(1\/2): 19-28. [COBISS.SI-ID 42761826<\/a>] \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0\u00a0 PDF<\/a><\/strong><\/p>

PERNAR\u010cI\u010c, Radharani. O sovra\u0161tvu in drugih demonih: \u00bbbodi bolj\u00ab \/ \u00bbne bodi tako zelo<\/em>\u00ab (o sprevr\u017eeni toleranci in vljudnosti \u2013 iz aktivne odlo\u010ditve v pasivno stanje). KULA, 2008, 1(1): 68-71. \u00a0 \u00a0 PDF<\/strong><\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Ribnik brbotavnik: improvizacija kot na\u010din umetnosti, kot na\u010din \u017eivljenja. <\/em>Ljubljana: Oddelek za etnologijo in kulturno antropologijo, FF UL, Ljubljana [COBISS.SI-ID 30659938<\/a>]<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

ART CRITIQUES<\/p>

\u00a0<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

[dance\/performance<\/p>

& visual art]<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

PERNAR\u010cI\u010c, R. Na vlaku navlake<\/em>.\u00a0<\/strong>[Critique of \u00a0Aljo\u0161a Lovri\u0107 Krape\u017e’s performance Je radost II, <\/em>18.3.2026, Stara mestna elektrarna, Ljubljana].<\/span> 24.4.2026, SiGledal.si: https:\/\/veza.sigledal.org\/kritika\/na-vlaku-navlake-r<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Brezdomna dru\u017ebenost<\/em> [Critique of Matja\u017e Fari\u010d’s dance performance Neza\u017eeljeni<\/em>. <\/span><\/span>24.2.2025, PTL, Ljubljana]<\/span>. 11.3.2024, SiGledal:\u00a0 https:\/\/veza.sigledal.org\/kritika\/brezdomna-druzbenost-r<\/a><\/p>

PERNAR\u010cI\u010c, R. Mit o Tvojemojklesu in druge starogre\u0161ke loiloilalije. <\/em>[Critique of the contemporary clown performance ‘Za crknt: Afterparti Cat woman in Edine \u017dive Dive‘, Dru\u0161tvo za sodobno klovnovsko umetnost, 6.5.2024, Stara elektrarna, Ljubljana<\/em>.]<\/span> 4.9. 2024, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2024\/09\/mit-o-tvojmojklesu-in-druge-starogreske-loiloilalije\/<\/a><\/p>

PERNAR\u010cI\u010c, R.<\/em> Z lokom v roki odmrzniti kole v riti<\/em>. [Critique of the dance performance ‘\u010cipka, prvo tkanje: Lok’ by<\/em> Gregor Lu\u0161tek, Krist\u00fdna Peldova, Kristijan Krajn\u010dan and Eduardo Raon, 24.1.2024, Kino \u0160i\u0161ka, Ljubljana.]<\/span> 7. 3. 2024, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2024\/03\/z-lokom-v-roki-odmrzniti-kole-v-riti\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. V zajemu vzajemnih kadrov<\/em> [Critique of the dance performance ‘Kvartet’ by <\/em>Magdalena Reiter, 14.12.2023, Cankarjev dom, Ljubljana.]<\/span> 19.1.2024, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2024\/01\/v-zajemu-vzajemnih-kadrov\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Son\u010dni princ-ip, pa pika<\/em>. [Critique of the dance performance for children ‘Rumena pika na nebu’ by Ajda Tomazin; Hi\u0161a otrok in umetnosti, Ljubljana.].<\/span> 22.12.2023, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2023\/12\/soncni-princ-ip-pa-pika\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Kaj bo zraslo iz grad-bincanja?<\/em> [Critique of the interactive movement performance for children ‘Lov-sre\u010de-lov-sre\u010de-lov- ‘ by Jernej Bizjak, 29. 7. 2023, Poletje na Vrhniki 2023, Park samostojnosti, Vrhnika.]<\/span> 12.12.2023, Od malih nogu: https:\/\/odmalihnogu.org\/kaj-bo-zraslo-iz-grad-bincanja\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Gnezdo brez pti\u010dkov<\/em>. [Critique of the visual installation \u2018Gnezdo\u2019 by Barbara Kapelj, Mestna hi\u0161a, Ljubljana.]<\/span> 27.10.2023, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2023\/10\/gnezdo-brez-ptickov\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Na temo klasi\u010dne elegance plesno-travni\u0161kih klasov<\/em>. [Critique of the dance performance ‘\u010cas v ogledalu’ by Snje\u017eana Premu\u0161, 27.5.2023, Stara mestna elektrarna, Ljubljana.]<\/span> 13.9.2023, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2023\/09\/na-temo-klasicne-elegance-plesno-travniskih-klasov\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. P\/osebni svetovi<\/em>. [Critique of the three performative events at the Brezodra\/ Nagib festival, 18.3.2023, Maribor.]<\/span> 6. 5. 2023, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2023\/05\/p-osebni-svetovi\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Na kupu zlo\u010dina: Lost Vegas<\/em>. [Critique of the dance performance ‘Trenutek’ by Ana Romih, 10.12.2022, SV\u0160GUGL, Ljubljana.]<\/span> 19. 1. 2023, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2023\/01\/na-kupu-zlocina-lost-vegas\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani; <\/em>HRIBAR, Barbara (translation). Od-biti-se-od-biti;<\/em> Bounce to b(oun)e<\/em>. [Critique of the dance performance ‘Lov-sre\u010de-lov-sre\u010de-lov’ by Jernej Bizjak and Zavod 0.1, 3. 9. 2022, PTL, Ljubljana.] <\/span>Maska, l. XXXVII (211-212): 5-7 (si), 8-9 (eng). \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 PDF<\/a><\/strong> \u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Published also at: 6.10.2022, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2022\/10\/od-biti-se-od-biti\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Skoraj sinhrono T I TK IT KAT KA AK NA JN EJ E<\/em> ali kdo bo bila Tagmadela Liebreto. [Critique of the dance performance ‘ Preludij in fuge? by Magdalena Reiter and Mateja Rebolj, <\/em>11.4.2022, Stara mestna elektrarna, Ljubljana.]<\/span> 28.4.2022, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2022\/04\/skoraj-sinhrona-ujetost\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Glagol \u00bbbiti\u00ab v 1. osebi mno\u017eine<\/em>. [Critique of the ‘Umetnost in kontinuiteta’ practical seminar by Snje\u017eana Premu\u0161 and Zavoda Federacija, 20.-23.10.2021, Stara mestna elektrarna, Ljubljana.]<\/span> 9. 12. 2021, Neodvisni.art: https:\/\/www.neodvisni.art\/…\/glagol-biti-v-1-osebi-mnozine\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Nit brez za\u010detka<\/em>. [Critique of the dance-visual performance ‘Nit brez konca, (I.-)III. Dejanje’<\/em> by Ana \u010cavi\u0107, 27.-29.7.2021, DUM, Ljubljana.]<\/span> 25.8.202, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2021\/08\/nit-brez-zacetka\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Baje bananini olupki ne sodijo v kompostzicijo. v\u010dasih pa!<\/em> [Critique of the dance performance ‘Biolo\u0161ki odpadki’ by Jurij Konjar, 10. 6. 2021, \u0160panski Borci, Ljubljana.]<\/span> 6. 7.2021, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2021\/07\/baje-bananini-olupki-ne-sodijo-v-kompostzicijo-vcasih-pa\/<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>

PERNAR\u010cI\u010c, Radharani. Gornji, spodnji, \u010dudni, \u010darni<\/em>. [Critique of the 15. Fronta dance festival, dance performances ‘O praznih prostorih’ by Ana Cvelfar and ‘Za Ludwiga’ by Zavod 0.1 \/ Jernej Bizjak, 25.-28. 8. 2020, Murska Sobota.]\u00a0<\/span> 17. 9. 2020, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2020\/09\/gornji-spodnji-cudni-carni\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Ko po\u010distijo do sterilnega, se izpod kav\u010da izvije hehet spregledane podrobnosti<\/em>. [Critique of the dance performance \u2018Tikdo\u2019 by DISKOlektiv, Odprti oder, 24.7.2020, Ljubljana.]<\/span> 13.8.2020, Neodvisni.art: https:\/\/www.neodvisni.art\/refleksija\/2020\/08\/ko-pocistijo-do-sterilnega-se-izpod-kavca-izvije-hehet-spregledane-podrobnosti\/?fbclid=IwAR26S0pvYCjQ31SB0rdiepLYflGj29Jr6g_-GvDEEGLzgtFMrxXYOlfne2o<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Sneg, uli\u010dica in sedem navzgor iztegnjenih <\/em>palcev. [Reflection on the dance and music improvisation by Gal Furlan and Simon Wehrli, Neforma 79, 16.2.2020, \u0160panski borci, Ljubljana.]\u00a0 <\/em><\/span>20.2.2020, Zavod Sploh, Neforma-Bele\u017eenje: https:\/\/sploh.si\/si\/premislek\/neforma_belezenje\/radharani-pernarcic<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. 0 obraza : 100% izraza<\/em>. [Critique of the dance performance \u2018Conversation pieces\u2019 by Magdalena Reiter, 9. 12. 2019, Stara mestna elektrarna, Ljubljana.]<\/span> 30. 12. 2019, Neodvisni.art: https:\/\/www.neodvisni.art\/2019\/12\/0-obraza-100-izraza\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani; <\/em>BEN\u010cINA, Sonja (translation). Ki je \u201cdefinicija ljubezni\u201d;<\/em> That is the \u201cdefinition of love\u201d. <\/em>[Critique of the Angstbl\u00fcten II \/ Timor Flores II <\/em>sonic performance by Ronald G\u00f6nko’ and Danja Schilling, and Cirkulacija2 art platform; 22.11.2019, Cirkulacija2, Toba\u010dna, Ljubljana.]<\/span> Maska, 2020, l. XXXV, \u0161t. 200aa, str. 7-8 (si), 9-10 (eng). [COBISS.SI-ID \u2013 48514819]\u00a0 \u00a0 PDF<\/a><\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Published also at: 19.12.2019, Neodvisni.art: https:\/\/www.neodvisni.art\/2019\/12\/ki-je-definicija-ljubezni\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. Ne moremo se kar prepri\u010dati, naj ne beremo, ne (pre)poznamo<\/em>. [Critique of the dance performance \u2018Song\u2019 by Mala Kline, ELIAS 2069 in Mercedes Klein, 11.10.2019, \u0160panski borci, Ljubljana.]<\/span> 12. 11. 2019, Neodvisni platform: https:\/\/www.neodvisni.art\/2019\/11\/ne-moremo-se-kar-prepricati-naj-ne-beremo-ne-prepoznamo\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. S telesom k inovacijam v managementu: intervju z Dejanom Srhojem in Nino Bo\u017ei\u010d Yams<\/em>. [Interview with Dejan Srhoj and Nina Bo\u017ei\u010d Yams].<\/span> 11. 4. 2018; Koridor: http:\/\/koridor-ku.si\/oder\/dejan-srhoj-nina-bozic-yams-s-telesom-k-inovacijam-v-managementu\/<\/a><\/p>

PERNAR\u010cI\u010c, Radharani. CoFestival<\/em>. [Interview with Rok Vevar about CoFestival and contemporary dance in Slovenia.]<\/span> 6. <\/sup>12. 2016, Koridor: http:\/\/koridor-ku.si\/oder\/cofestival-rok-vevar-ustvarjalci-na-podrocju-sodobnega-plesa-se-ne-ukvarjamo-vec-z-dokazovanjem-smisla-obstoja-te-umetniske-prakse\/<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

ARTICLES \u00a0 [anthropology & performing arts] PERNAR\u010cI\u010c, Radharani; KOSI, Katja (translation). Je\u010dar. Je \u010dar; Captivating. And a capture. Maska, 2023, XXXVIII (215-16): 144-147 (si), 148-151 (eng) [COBISS: 184183555].\u00a0\u00a0 \u00a0 PDF PERNAR\u010cI\u010c, Radharani; LOTHAR, Orel (translation). Katalogos udobja; Catalogues of Comfort. [Postproduction article.] Maska, 2023, XXXVIII (213-14): 36-41(si), 42-46 (eng).\u00a0\u00a0 PDF PERNAR\u010cI\u010c, Radharani. \u017de akumulator \u2013 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5689","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages\/5689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/comments?post=5689"}],"version-history":[{"count":88,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages\/5689\/revisions"}],"predecessor-version":[{"id":8773,"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/pages\/5689\/revisions\/8773"}],"wp:attachment":[{"href":"https:\/\/aniradar.com\/index.php\/wp-json\/wp\/v2\/media?parent=5689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}